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Thursday, October 15, 2009

This Weeks Featured Artist album: Teddy Presberg - Outcries from a Sea of Red

Style: Funk/Jazz/Psychedelic

For Fans Of: Medeski Martin & Wood, John Scofield, Jimi Hendrix

Perfect For: Projects needing a musical splash of original funk and vibrancy. All instrumental music that is ready for radio bumpers, TV shows, commercials and sexy theme music.

To hear songs from Teddy Presberg or any other band send an email to info@musync.com and we'll send you a link to three tracks.

The wait is over for critically acclaimed guitarist/improvisational composer Teddy Presberg’s newest musical contribution. Outcries from a Sea of Red is a musical exploration worth the wait.

One again Presberg delivers his fans fresh genre-bending music with a funky pulse through honest and raw recordings. The album features a handful of songs that seemingly blend into one another — yet each cover a unique musical purpose. From busted home studio recordings with cameos from his dog, dream sequences interspersed with live recordings at St. Louis’s infamous Delmar Lounge, jazz takes recorded in the dining room, and even mixing in the birds of spring as they sing from Presberg’s back yard.

Teddy Presberg’s original and masterful blending of genres will add a unique splash of color and vibrancy to any of your corporate-branded projects.


















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Wednesday, March 11, 2009

This Weeks Featured Artist album: Teddy Presberg - Blueprint Of Soul

Style: Acid Jazz / Psychedelic Jazz / Funk

For Fans Of: Medeski, Martin and Wood, John Scofield, Galactic.

To hear tracks by Teddy Presberg send an email to info@musync.com and we'll send you a link to three tracks.

This striking debut by Portland guitarist and composer Teddy Presberg is pure
improv-funk, inspired by the City of Roses and produced in a most unconventional way. Presberg’s Blueprint of Soul is organic – no artificial ingredients.

With a view of the gothic St. John’s Bridge outside his kitchen window in North Portland, Presberg transformed his dining room into a studio and created a musical impression of Portland. “All of the songs were written on the spot. All of the tracks and overdubs were done in one take only,” says Presberg.

In a world of overly perfected pop music, you don’t hear that sort of thing – even on the indie radio stations. “Music is a reaction,” muses Presberg, “so why not keep your reactions as pure and natural as they can be. I’m not knocking the idea of a ‘second-take,’ I just wanted to go with my first response.” Accordingly, Presberg directed the flow of music and his guest musicians to recreate the city of Portland in spontaneous groove-based improvisations. Listen to “Foster Fatty,” (named after Foster Road) and you’ll feel the movement of a big-legged neighbor taking her daily stroll. You will hear the hip, yet dark and slick sounds inspired from the Burnside Bridge on “Beneath the Burnside.” Even a passerby’s meth-amphetamine jaunt from the infamous 82nd Ave appears on “82nd Ave Strut.”





















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